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安妮畫廊于11月7日開幕的奧地利藝術(shù)家群展——“米飯/奧地利中國藝術(shù)項(xiàng)目”中，中國藝術(shù)家陳可與奧地利藝術(shù)家Jasmin Ladenhaufen的合作項(xiàng)目“復(fù)制的復(fù)制”即將開幕。
復(fù)制的復(fù)制
COPY ALLTAG
此藝術(shù)活動是以中國藝術(shù)家陳可在維也納現(xiàn)代藝術(shù)館展示的作品為出發(fā)點(diǎn)。模仿她的作品制作了一套服裝，這套服裝以“傳話”的方式從一個(gè)設(shè)計(jì)師傳遞到另一個(gè)設(shè)計(jì)師手中，每個(gè)設(shè)計(jì)師根據(jù)自己的理解和風(fēng)格，進(jìn)行修改和重新設(shè)計(jì)。在這件仿制品的基礎(chǔ)上，每個(gè)設(shè)計(jì)師再根據(jù)自己的風(fēng)格設(shè)計(jì)幾件服裝。這20套復(fù)制的復(fù)制的服裝第一次展示是在維也納現(xiàn)代藝術(shù)館舉辦的“模仿日常?反對模仿”活動中展出。第二套設(shè)計(jì)方案將在北京進(jìn)行，表演將在北京的公共場地進(jìn)行和拍照，模特們走在一個(gè)特殊的舞臺——盒子里，進(jìn)行時(shí)裝表演。最后，陳可專門為這個(gè)活動創(chuàng)作了油畫，以在時(shí)裝秀拍攝的照片為油畫素材。藝術(shù)家陳可的創(chuàng)作標(biāo)志了此藝術(shù)活動的開始和結(jié)束。這幅畫的名為“背包——藝術(shù)家的夢中之作——一幅關(guān)于仿制服裝的插畫。”
Starting off from a work of art created by the Chinese artist CHEN KE and titeled as , PIRATE‘ which was on display in the MUMOK – Museum für moderne Kunst Wien, Vienna, an exact replica of the dress in the painting was created. This outfit was handed over from designer to designer in some sort of ‘Chinese whisper’ process, amended, reinterpreted and redesigned according to each individual designer’s own concept and style. In addition to this ‘copy dress’ each label developed further pieces that reflect its own style. Thus a 20-item collection was created which was first presented as the fashion performance copy alltag gegen copy in the MUMOK. In a second step the collection was further developed in Beijing and staged and photographed in public space with models in a specially developed stage setting (a box). Finally, the photographs shot on that occasion serve as the source material for a new painting by CHEN KE, which she paints exclusively for this project. Thus CHEN KE marks both the beginning and the end of this project: the painitng is titeled as ,BAG‘, again an arits's dreamwork based on the illustration of the ,copy-dresses‘.
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