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    [專稿] 藝門畫廊名和晃平個展

    藝術中國 | 時間: 2008-09-17 15:49:16 | 文章來源: 藝術中國


      北京藝門畫廊
      名和晃平 ( Kohei Nawa )(1975年出生于日本大阪),PixCell (棱鏡) ,個展
      2008年9月7日 - 2008年10月31日

     

      日本藝術家名和晃平中國首次個展的開幕式將于2008年9月7日下午2點至6點舉行。敬請光臨!

      北京藝門畫廊很高興為名和晃平舉辦他在中國的首次個展。

      PixCell (棱鏡)是名和晃平還在延續中的一個作品系列。這次,藝術家在展廳空間內搭建了一個特制的5米 x 5米的白色空間來展示這個系列中的新作。名和晃平在這個展覽中會巧妙地利用觀眾對三維/二維空間及三維/二維物體的種種先入之見。

      觀眾踏入這個空間,會發現這里各個表面都泛著古怪的散射,地板、墻壁、天花板、燈光借助周圍環境中統一的白色,被平面化到了近乎二維。五只壓克力PixCell棱鏡里裝有一只雞的標本、一個Dysan牌吸塵器、“超級馬里奧”里的各種卡通形象、一只實物大小的玩具豹子、一棵仙人掌樹。這些棱鏡雕塑每個都是不一樣的,以不同的角度懸掛在這個白色空間里。封閉在精心建構的壓克力盒子里的棱鏡是由多重的棱鏡層構成的,這些棱鏡層將光的方向切分為兩路,使得其內的每件物品看起來都像被切割為多層,很像是一個全息圖景。這種視覺錯覺和形態上的扭曲永久地漂浮在一個虛擬的三維空間里。

      傳統上,二維作品都是懸掛在三維的空間里的。而這里,藝術家將這個程序逆轉了過來,他讓觀眾凝神觀看一個平面的世界--雖然這個世界里也有盛放在收集盒里、懸掛于扁平空間內的各種立體物件。

      名和晃平在他的素描、絲網印刷、裝置和繪畫作品中使用了各式各樣的日常材料來質疑傳統意義上雕塑中有關視覺與時間的種種邊界。名和正在進行著他對雕塑的本質及其無限多的可能性的研究,而他的藝術作品都是這項研究的副產品。作為一個藝術家,名和的強項在于他能夠通過改變我們在觀看藝術品時的感知方式和挑戰我們的預期,來發明一種新的雕塑語言。

      名和晃平在日本京都生活和工作。他是京都城市大學藝術雕塑系博士學位的獲得者,也曾在倫敦皇家藝術學院研習過雕塑。他的作品目前正在東京都現代美術館(Museum of Contemporary Art Tokyo)參加名為“平行的世界”(“Parallel Worlds”)的群展。前不久,名和在西班牙巴塞羅那的米羅基金會美術館舉辦了他在歐洲美術館的第二次個展。

      這次展覽的布展工作是與SAKO建筑設計工社(SAKO Architects)合作完成的,在此特別感謝迫慶一郎(Keiichiro SAKO)先生及青山周平(Shuhei AOYAMA)先生。

      開館時間:每天早上10點至下午6點 (周一周二參觀須預約)

     

      北京藝門畫廊
      地址:北京市朝陽區崔各莊鄉草場地241號 100015
      聯系人:付琛(媒體主管)
      電話: +8610 5127 3220
      傳真: +8610 5127 3223
      郵箱: fubi@pekinfinearts.com
      info@pekinfinearts.com

    藝術家 kohei nawa

      Pékin Fine Arts:
      Kohei Nawa (b. 1975 Osaka), PixCell (PRISM), Solo Exhibition
      September 7 – October 31, 2008

      Opening Reception for Japanese artist Kohei Nawa’s first solo exhibition in China: September 7, 2008, from 2 to 6 pm. ALL WELCOME!

      Pekin Fine Arts is pleased to present Kohei Nawa’s first solo exhibition in China.

    In his latest works from his on-going PixCell (PRISM) series, Kohei Nawa shows his works in a specially constructed 5 x 5 meter white space-within-the-gallery-space. Kohei Nawa manipulates the viewers’ preconceptions of three-dimensional vs. two-dimensional space and objects.

      The viewer enters and stands in a space of oddly diffused white surfaces, where floor, walls, ceiling and lights are flattened to near two-dimensionality by virtue of the uniformly white environment. The five acrylic PixCell PRISM boxes house a taxidermy chicken, a Dysan vacuum cleaner, Super Mario cartoon characters, a life size toy leopard, and a cactus tree. Each sculpture-prism is unique and hung at differing angles within the white space. Permanently encased in finely constructed acrylic boxes, each sculpture-prism is comprised of layers of prism sheets cutting the direction of light in two, causing the object inside to appear to divide into multiples, much like a hologram. The result is a visually disturbing, sculptural distortion, permanently “floating” in a virtual world of three-dimensionality.

      Traditionally, two-dimensional works hang on walls of a three dimensional space. Here, the artist reverses the process, causing viewers to contemplate a world that is flat, save for bits of three-dimensionality contained in collector boxes and suspended within a flat space.

      Kohei Nawa uses a wide range of every-day materials in his drawing, silk-screen, video, installation, and painting works to question the traditional visual and temporal boundaries of sculpture. His artworks are the by-products of his on-going research into the nature of sculpture and its infinite facets and possibilities. Kohei’s strength as an artist lies in his ability to invent new sculptural language by changing our perceptions and challenging our expectations when viewing art objects.

      Kohei Nawa lives and works in Kyoto, Japan. He has a Phd in Fine Art Sculpture from Kyoto City University and also studied sculpture at London’s Royal College of Art. His works are currently on exhibit in the group exhibit “Parallel Worlds” at the Museum of Contemporary Art Tokyo(Museum of Contemporary Art Tokyo), and were recently exhibited at the Joan Miro Foundation in Barcelona, Spain, in Kohei’s second solo museum exhibition in Europe.

      This exhibition installation is realized with the cooperation of SAKO Architects, with special thanks to Keiichiro SAKO and Shuhei AOYAMA.

     

      www.pekinfinearts.com
      Gallery hours: 10 to 6 pm daily. Mon and Tues by appointment only.
      Add: No.241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang District, Beijing, China 100015
      Pékin Fine Arts
      Media Relations Manager
      Victoria Wang
      Tel: +8610 5127 3220
      Fax: +8610 5127 3223
      Email: Victoria@pekinfinearts.com
      info@pekinfinearts.com

     

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