Ma Xiaochun Photo Exhibition
2008馬曉春攝影展
開幕時(shí)間：2008年7月12日，星期六下午3：00PM-6：00PM
展覽時(shí)間：2008年7月13日- 7月27日
地點(diǎn)：XYZ 畫廊，798大山子藝術(shù)區(qū)D06-6-1
聯(lián)絡(luò)電話：010 8459 9299
策展人：王唯唯
組織：范學(xué)宜 成國(guó)琴
“泰戈?duì)栍芯湓姡壶B兒飛過天空，不留下任何痕跡，但它仍欣喜，曾經(jīng)飛過。很有意境，現(xiàn)實(shí)中人也是這樣，在世上匆匆走過，什么也留不下。攝影的作用就是把這個(gè)痕跡留下來，讓這個(gè)痕跡跟景物重疊和融合，以一種融入作者情感的可視方式表現(xiàn)出來。而不僅僅是一種簡(jiǎn)單紀(jì)錄。
通常認(rèn)為，攝影是一門瞬間的藝術(shù)。現(xiàn)在，攝影手法和觀念更加多元，可以將好多個(gè)瞬間重疊在一起，造成時(shí)空的穿越，表達(dá)一種時(shí)間延續(xù)的概念，不僅僅是一個(gè)瞬間。利用瞬間的重疊造成時(shí)間的延續(xù)感，就像電影畫面的切入切出。
單純古老的東西太壓抑了，單純現(xiàn)代的東西又容易淺薄。把兩者結(jié)合起來，在傳統(tǒng)古老中注入新鮮的時(shí)代元素。用在拍攝北京這種既古老又和當(dāng)代交融充滿活力的城市很恰當(dāng)。
好的作品要有時(shí)代感。”
——馬曉春
馬曉春藝術(shù)簡(jiǎn)歷
1965出生于河北
1984華北油田鉆井工人，開始自學(xué)攝影；
1995中央工藝美院攝影專業(yè)學(xué)習(xí)；
1997北京電影學(xué)院攝影學(xué)院圖片攝影專業(yè)；
1998 組照〈通道〉五人攝影展 北京
1999.拍攝《故宮》組照，《中國(guó)攝影》2000.2發(fā)表；
2001 《自然與人》亞洲青年攝影展
《時(shí)尚家居》特約攝影師
現(xiàn)為：自由職業(yè)攝影師
2008 XIAOCHUN MA PHOTOGRAPHY EXHIBITION
Opening Reception: July 12, 2008, 1500hrs to 1800hrs
Exhibition Date: July 13, to 27, 2008
Venue: XYZ Gallery, D06-6-1 of 798 Dashanzi Art Center
Contact: 010 8459 9299
Curator：Vivian Wang
Organizer: Xueyi Fan Catherine Cheng
Artist Statement by Xiaochun Ma
I enjoy very much one of the poems by the acclaimed Indian Poet Rabindranath Tagore: “Bird flies over the sky without leaving any trace; but it rejoices as it flies.” How apt and beautiful scenery it describes. In reality, people live in a hurry and take nothing with them when they pass away.
Photographs are NOT merely “recordings”. The function of photography is to record the traces of life, to mix and harmonize them with whatever surrounds life, and to portray the photographer’s personal touch and feelings by his own visual expression..
Traditionally, photography is regarded as an art of capturing instant images. Nowadays, there are more dimensions to photographic presentations and definitions. For example, one could put together different instant images to reflect the surpassing time and space, and to express the continuance of time, which is employed by the same techniques we see in movies.
To capture and show purely ancient and past images may be depressing, but to reflect only modern elements might be considered shallow. A city like Beijing is best approached by mixing the ancient with the modern, by injecting fresh modern elements into its rich traditions. Beijing is an ancient city with its modern vigor and energies.
Fine quality photography should keep pace with and speak for Time and Place.
BIO OF XIAOCHUN MA
1965 born in Hebei
1984 started the career of photography by self-taught
1995 studied photography in Central Academy of Art & Design
1997 studied in Beijing Film Academy
1998 Five Person Group Photography Exhibition in Beijing
1999 Photography Work Published in China Photo of Feb. 2000 Edition
2001 Asian Youth Photography Exhibition
Freelance Photographer of Trendy Furniture magazine
Now residing in Beijing as Professional Photographer
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